There are similarities to recent Zimmer scores, namely Batman Begins. There is less thematic development than usual for Zimmer, but this score is more atmospheric in function. There are some electronic elements here, but very little stands out. The Da Vinci Code has similarities, but I also see a shift in Zimmer\'s style. Hannibal had a classical feel to it, while some of Zimmer\'s less-known scores, such as The Pledge and Invincible (co-composed with Klaus Badelt) had a dramatic, string-driven style. To begin with, the score, as a whole, is tragically beautiful, which is not something that is normally heard from Zimmer\'s music. I was not sure what to expect from Hans Zimmer\'s score to The Da Vinci Code, nor was I sure what to make of it upon my first listen.
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